It's well been over a year since my last proper post on here, and I figured it was about time for an update on what I've been doing. I passed my viva with minor corrections in July 2016 and graduated in June 2017. The reason for the long delay between those two dates - over... Continue Reading →
Illustrated by Mia Carnevale
Just as George R. R. Martin draws inspiration from real-world history and politics to add depth to his world in A Song of Ice and Fire (or, as HBO would prefer, Game of Thrones), so too does he look to real-world religions.
Religion, a central aspect of medieval culture, is also an important theme throughoutA Song of Ice and Fire: it pushes the story along, develops characters, and fleshes out an immensely complex world. Many different faiths are depicted and are all shown to have their own power, whether it be politically, in the strength of their followers, or magically.
Drawing from the books and the show, here are three of the major religions in the series, the roles they play within the story, and their real-life historical and contemporary counterparts.
1. The Drowned God
We Do Not Sow
The Drowned God is…
View original post 949 more words
Saturday 3rd June 2017, York St John University This one-day conference will explore the figure of the monster in transnational popular culture, across cinema, television, games, comics and literature, as well as through fandoms attached to global monster cultures. It is our intention to bring together researchers to consider how transnational monstrosity is constructed, represented... Continue Reading →
‘Fantastic London: Dream, Speculation and Nightmare’ Hosted by the Institute of English Studies, University of London Joseph Gandy, ‘Bank of England as a Ruin’, 1830, Oil on Canvas, Soane Museum, London Call for Papers (deadline: 1 February 2017)Proposals are invited for papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in,... Continue Reading →
By Claire Nally A new exhibition on Steampunk and Neo-Victorian culture opens in November – entitled Fabricating Histories, it explores the ways in which we can think about, and challenge, the legacy of history. Dr Claire Nally, co-curator of the exhibition at the Discovery Museum (Tyne & Wears Archives and Museums) in Newcastle, explains what […]... Continue Reading →
Sheffield Gothic is pleased to announce our new 2017 conference and showcase event: Reimagining the Gothic: Gothic Spaces. The event will take place 12-13th May 2017. Reimagining the Gothic is an ongoing project that seeks to explore how the Gothic can be re-read, re-analysed, and re-imagined. We encourage both public interest and new academic avenues... Continue Reading →
University of Bedfordshire, 9-10 June 2017 Three-hundred and nineteen years since the publication of Charles Perrault’s famous Histories du Temps Passé, the myth of Cinderella remains integral to many current facets of our cultures. Inspired by the University of Bedfordshire’s collection of scripts, books, theatrical memorabilia, designs, ephemera on Cinderella and organised by the Research... Continue Reading →
I've neglected the blog somewhat while I've been in post-submission/pre-Viva limbo. This is mostly because I was lucky enough to be able to switch to full time hours just as I submitted. While I'm still waiting on the Viva, I have kept my hand in academically witch conferences, seminars and academic discussions on social media and... Continue Reading →
Looking for papers for an essay collection on the MTV television show Teen Wolf, with an emphasis on the most recent seasons. This volume aims to discuss Teen Wolf in the context of popular and literary culture, historical analysis, and academic theory, though other approaches are also welcome. Suggested topics include, but are not limited... Continue Reading →